Looking back I see that this was really big luck

Dear Schnerzinger team, using my smaller hi-fi system – a Soulution / Revel combination, which is easily accessible to me – I have listened to the best and most expensive cables of many cable manufacturers from the high end industry during the last 8 months (Nordost, Kimber Select, Silent Wire, In-Akustik, Jorma, Shunyata, HMS, Audioquest, Göbel, Aural Symphonics, Entreq, High Fidelity Cable, Kondo, Harmonix, Acoustic Revive, HB, LessLoss, MIT, Prana, Purist Audio, Siltech, Synergistic Research, Wireworld, Vovox, Kubala, Transparent).

I became aware of Schnerzinger, because in a conversation a renowned hi-fi dealer of this scene strongly advised me not to try Schnerzinger cables, although I had not asked for that. That made me curious and looking back I see that this was really big luck.

Following your advice to necessarily remove all brakes within the existing music system at first – even some dearly won tuning tips which previously were tested to be outstanding will be debunked by your products as only reducing defects but clearly slowing down – your cables stand out by far from all other cables that you can’t believe it if you don’t hear it by yourself. After all limiting products are removed from the audio path; it’s incredible, what even the smaller of your cable series “Reference + Extreme” teases out of my smaller music system. Such a resolution accompanied with absolutely naturalness and freedom of stress in combination with a spatial sound which even may be frightening in the dark with appropriate pieces of music, I haven’t heard anywhere else and not even close. Partially I had to switch on the light again to bring me back to reality. Even my otherwise much better and much more expensive primary system equipped with Nordost Odin2/Valhalla2 now sounds pruned in comparison!

Adding your new Protector products to the system to dejam devices, GRID and room something happens, which gives the term “listening to music” an completely new meaning to me. Deeply touching musicality, realism close to witchcraft, enthusiasm which keeps your feet moving. Your products cause a constant smile in my face!

A nice side effect: The sale of my obsolete cables, filters, singing bowls, anti electro smog products and spatial elements lets the partially very expensive acquisition of the Schnerzinger products appear cost-effective in the end. A small tip at the end: You should publish manuals for your products on your web side, because Protector misadjustments may even lead to drastic performance degradation. So any user can independently and easily do the necessary adjustments.

In deep gratitude
P….. St…..

PS: I have just read in the September “BLOG” on the web side of the company “GECOM Messtechnik” (GECOM measurement technology) – there was an interesting article about this company published in the Fidelity magazine -, that they are also very impressed with your products and rate the effect as highly considerable - contrary to many voodoo products. You probably may not know the article, so I attach the link: https://www.www.gecom-technologies.com/blog/ (This article is in German language)

(Translated from the German original)

— P. St. —

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ATOMIC BONDING vs. Monocyrstaline OCC / UPOCC Conductors

In contrast to the often only temporarily effective advantages of established treatment and manufacturing processes on the reproduction quality of high-quality audio cables, e.g. cryogenization or OCC or UPOCC casting processes, SCHNERZINGER cables with ATOMIC BONDING conductors enable an audibly purer and unrivaled true-to-life signal transmission - and this permanently! 

In order to recognize the essential advantage of the SCHNERZINGER ATOMIC BONDING technology compared to conventional methods, some background knowledge about the industrial processing of wires used as conductor material in the audio sector is required:


To manufacture the conductor material in most audio cables, thick copper or silver strands are repeatedly drawn through so-called drawing dies until the wires are thin enough for further use. Every drawing process means enormous mechanical stress, which causes the crystalline grain structure of the wires to disintegrate into many crystals. In a sense, the audio signals have to find their way through many of these grain structures. The flow through the grain boundaries from grain to grain creates an enormous resistance potential every time, which is known to cause slowed signal transport.

The more complex casting process is therefore often used for higher-quality audio cables. Here, liquid copper or silver is continuously poured into molds, which results in longer grain structures. In the even more complex monocrystalline OCC or UPOCC (Ultra-Pure Ohno Continuous Casting) process, the molds are even heated and slowly cooled to prevent the material from solidifying too quickly. This process was developed by Prof. Ohno in the 1980s for industry so that fewer cracks occur in the sheet metal when the copper strands are rolled out


SCHNERZINGER ATOMIC BONDING, on the other hand, takes a completely different approach:

To easily get the idea of the innovative development approach ATOMIC BONDING, simply envision a conducting wire as a pipe filled with ice cubes, whereby the ice cubes symbolically illustrate the inner grain structure of the wire.

Since long-chain metal structures are quite sensitive and easily disintegrate again after the manufacturing process, e.g. due to vibrations and bending processes, ATOMIC BONDING is a technologically extremely complex process which does not aim at bonding individual ice cubes to form a closed, long-chain monostructure, but on the contrary at crushing the cubes. This results in the smallest ice structure components, which can subsequently be compressed into a stable, homogeneous ice mass with very high cohesive forces in the tube.

A compacted, fused mass of ice has a closed, extremely stable structure - without any gaps. This fact forms the basis for a highly pure and perfect impulse chain - for a true-to-life signal transmission.