
THE SMALL FLEXIBLE
EFFECTIVE PROTECTION AGAINST CRITICAL INTERFERENCE FIELD PEAKS
The PICCOLO PROTECTOR protects its immediate surroundings with the integrated GIGA CANCELING technology. In particular, high-frequency interference field peaks, which can impair the sound, are specifically neutralized – for a free and unadulterated music signal path.
Thanks to its compact design, the PICCOLO PROTECTOR can be used extremely flexibly and precisely at several critical positions in the listening room, e.g. on the loudspeakers.
Available in various set sizes.
ESSENTIAL AND INDISPENSABLE
In contrast to the GRID PROTECTOR and LAN PROTECTOR, which also take care of the lower frequencies, the PICCOLO PROTECTOR is specially designed to suppress high-frequency signals.
Its effect underlines the urgent need to effectively neutralize sound-damaging interference fields caused by WLAN, mobile communications and the like.
Indispensable for an emotional music experience.
INTERFERENCE FIELD SUPPRESSION IN THE HIGH FREQUENCY RANGE
The PICCOLO PROTECTOR processes interference frequencies at high speed and absorbs them effectively. Interference has no chance of impairing the signal quality.
It requires no capacitors, diodes, series or parallel filters – and no energized crystals either. This is because these compromised components absorb energy and release it again with a time delay. This results in electron braking and delay effects that noticeably impair the sound.
The PICCOLO PROTECTOR eliminates the high radio frequencies from the environment that are harmful to the sound, but not the high-frequency part of the music signal. This allows the sound to unfold in its full splendor – for an impressive sound stage.
IT’S THE COMBINATION
The combined use of SCHNERZINGER products creates an incomparably strong synergy.
No wonder, because in this combination all our leading technologies merge into a perfectly coordinated power distribution system.
The sonic result?
An unimpeded, absolutely interference-free current transport that redefines the limits of musical reproduction.